The Munnadiyaan as Kshetrapala in Tamil Folk Tradition

Madurai Veeran as the munnadiyaan of Muniswarar in Jalan Baru Muniswarar temple, Prai, Penang.
Picture credit Theiva Darisanam.

The Tamil term muṉṉaṭiyāṉ (munnadiyaan), once widely recognized but now less commonly used, derives from Muṉṉāṭi (munnaadi), meaning “ahead” or "in front". Munnadiyaans are male guardian deities positioned at the forefront of temples, functioning as protectors similar to the Sanskritic kṣetrapāla (kshetrapala). They are typically portrayed as fierce companions of the temple’s presiding deity, embodying vigilance, martial prowess, and protective energy.

It is widely believed that before any activity is carried out within the temple, one must first seek the guidance and permission of the munnadiyaan. This ritual acknowledgment reaffirms his role as the guardian of the sacred space, ensuring that the proceedings take place under his watchful protection.

Traditionally, ritual offerings such as male goats and roosters are made to the munnadiyaans, reflecting their non-vegetarian associations and deep folk roots. A notable example can be found at the Jalan Baru Sri Muniswarar Temple (formerly Sri Muniandy Temple) in Prai, Penang, where Veeran serves as the temple’s munnadiyaan. While the presiding deity, Muniswarar, receives only vegetarian padaiyal (food offering), Veeran continues to be honored with liquor, cigars, and non-vegetarian offerings. These practices maintain his role as a fierce folk guardian.

Munnadiyaan iconography in southern Tamil Nadu is also distinguished by the warrior stance with one leg bent in a kneeling position. This posture is reflected in figures such as Nondi Veeran and Nondi Karuppanasamy in Tamil Nadu. Although references to munnadiyaan deities have diminished in contemporary discourse, their presence highlights the enduring vitality of Tamil folk traditions within the broader framework of Hindu temple worship.

Regional Traditions of Munnadiyaan Worship

The identity of the munnadiyaan often varies by region, reflecting local histories, community needs, and folk memory.

Southern Districts (Madurai, Sivagangai, Ramanathapuram):
In these areas, the most common munnadiyaan is Karuppanasamy, who appears in many localized forms such as Nondi Karuppar, Sappani Karuppar, and Munnodi Karuppar. Karuppaṉasāmy is often regarded as the fierce enforcer of justice, punisher of wrongdoers, and protector of sacred spaces. His fierce visage, weaponry, and uncompromising nature make him an ideal guardian in the role of munnadiyaan.

Delta Districts (Thanjavur, Tiruvarur):
In the fertile delta regions, the figure of Veeran dominates the role of munnadiyaan. Here, Veeran is worshipped in various manifestations including Nondi Veeran and the legendary Madurai Veeran. He is celebrated more as a warrior-protector, embodying valor, sacrifice, and loyalty. His cult in the delta region reflects the blending of martial hero worship with temple guardianship, reinforcing the connection between folk heroes and divine protectors.

These regional distinctions highlight the adaptability of the munnadiyaan concept, where the protective role is embodied not by a single figure but through diverse local forms, each carrying the flavor of community belief and history.

Munnadiyaan and the Role of Kshetrapala

The idea of the kshetrapala (literally “guardian of the sacred field or territory”) is deeply rooted in Hindu temple tradition. Every temple, whether grand or modest, is believed to require a protector who stands guard at its thresholds, ensuring that only the worthy may enter and safeguarding the sanctity of the space. 

Kala Bhairava. Picture credit Kaga Ashram

In the Hindu tradition of Saivism, this role is often associated with Kala Bhairava, a fierce form of Śiva, who serves as the ultimate guardian of sacred precincts. 

Munnadiyaan therefore function as the folk equivalent of the kshetrapala. Like Bhairava, they are fierce liminal beings who protect boundaries between sacred and profane, purity and pollution, safety and danger. Their positioning at the outer peripheries of temples reflects this liminality. 

The Question of Mantras

In Tamil folk traditions, munndiyaan worship is rarely accompanied by elaborate Sanskrit mantra recitations. Instead, rituals are performed through offerings, folk songs known as varnippu, and invocations passed down orally. It is possible that mantras once existed but were gradually forgotten as folk traditions evolved separately. The worship of the munnadiyaan has focused more on lived devotion and ritual offering than textualized prayer.

For practitioners who wish to integrate mantra-based worship today, one approach is to use mantras dedicated to Kala Bhairava, as he is the classical kshetrapala. Since the munnadiyans embodies the same protective function, Bhairava mantras can be invoked as a way of aligning folk practice with broader Hindu traditions. Commonly used Bhairava mantras carry the essence of protection, removal of obstacles, and boundary-keeping. These are all qualities mirrored by the munnadiyaan.

Contemporary Popular Tradition

A striking parallel emerges in popular culture through the Kannada film Kantara, where the benevolent deity Panjurli is accompanied by the fierce Guliga. In the narrative, Guliga exemplifies the archetype of a munnadiyaan; uncompromising, merciless towards wrongdoers, and unwavering in his guardianship. 

In the movie, the deity Guliga is dramatically awakened when one of the villains smashes the protagonist’s head against the stone that represents him. The impact causes blood to flow and stain the stone, which symbolically functions as an offering. 

Panjurli and Guliga. Picture credit Harsha Kaveripura.

In many South Indian folk traditions, blood sacrifice or accidental bloodshed is believed to activate the deity’s presence, marking it as both an offering and a sign of appeasement. The cinematic choice to show Guliga awakened in this way ties back to the wider understanding of guardian deities who require offerings to manifest their protective and destructive powers. This portrayal underscores the timeless cultural significance of munnadiyaans or kshetrapalas and their role in safeguarding spiritual spaces across South India.

Although the term munnadiyaan is less commonly heard today, the concept persists across Tamil and other South Indian diaspora communities, and popular imagination. Whether in the form of Karuppanasamy in the southern districts, Veeran in the delta regions, or cinematic representations like Guliga, these guardian deities remind us of the enduring strength of folk spirituality where protection, vigilance, and devotion remain at the heart of worship.

The Munnadiyaan as Kshetrapala in Tamil Folk Tradition

Madurai Veeran as the munnadiyaan of Muniswarar in Jalan Baru Muniswarar temple, Prai, Penang. Picture credit Theiva Darisanam. The Tamil te...